A Necessary Fiction
Currently making work for an exhibition at London Borough of Tower Hamlets Local History Library and Archive entitled "A Necessary Fiction", planned for April 2017.
With the title of the exhibition taken from Jose
Esteban’s and Stuart Hall’s idea of using archive material to explore the
complexities of ancestral histories, “A Necessary Fiction” centres on the
Barbadian Chris Braithwaite, one of the leading socialist radicals in 1930s and
1940s Britain. An overlooked but outstanding figure in the history of militant
Pan-Africanism and radical socialism, he was perhaps the critical lynchpin of a
maritime subaltern network in and around the imperial metropolis of inter-war
London.
Better known under his pseudonym, Chris Jones,
Braithwaite challenged state racism and the exploitative and oppressive
experience of colonial seamen, at the hands of ship-owners and the National
Union of Seamen. He was fundamental to the launching of the Negro Welfare
Association (NWA) and also formed the Colonial Seamen’s Association (CSA).
An important friend and contemporary of intellectuals
George Padmore, C.L.R. James, Paul Robeson, Eric Williams, Amy Ashwood Garvey, Ralph Bunche and the Kenyan
nationalist and future Kenyan Prime Minister Jomo Kenyatta, Braithwaite was
crucial to the mobilising of black radicals against the injustices of British
colonialist and imperialist rule. Whilst central to the development of the
international working class movement and International Socialism, Braithwaite
developed close links with Nancy Cunard, Reginald Reynolds and Ethel Mannin to
build solidarity with the colonial liberation struggles across the African
diaspora.
The relevance and visibility of colonial maritime
ethnic labour and its importance to an understanding of history of labour in
Britain has been sorely neglected and overlooked. This exhibition is an attempt
to situate and position black radical social history and its intrinsic
relevance/ importance to trade union activism and current labour law. Particular
themes are informed by perspectives on politics, identity and activism, the
language of the international and ideas around diaspora. It is an attempt to
utilise critical artistic practice to question dominant narratives and
challenge the western simplification and belittling of black history.
Using
a form of qualitative research, I will use self-reflection, writing and my
visual arts practice to explore personal experience and connect an
autobiographical story to wider cultural, political social meanings and
understandings.